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"I can't, because I don't know myself. It is my nature. However depressed I may feel at one instant, the next a passing thought may change my tears into a laugh. Perhaps that is why we are called fickle; yet it has nothing to do with it: it is a mere peculiarity of temperament, and a rather merciful gift, for which we should be grateful, because, though we return again to our troubles, still the moment or two of forgetfulness soothes us and nerves us for the conflict. I speak, of course, of only minor sorrows; such a grief as poor Kitty's admits of no alleviation. It will last for her lifetime.",

"If I should die," he said, "and you are near, do not desert me. Go to the place where I fell, and if my body should have been destroyed look carefully around the place. If you can find even a shred of my flesh or a bit of my bone, it will be well. So said my dream. Here are four arrows, which the dream told me to make. If you can find a bit of my body, flesh or bone, or even hair, cover it with a robe, and standing over it, shoot three arrows one after another up into the air, crying, as each one leaves the bow, 'Look out!' When you fit the fourth arrow on the bowstring and shoot it upward, cry, 'Look out, Red Robe, the arrow will strike you!' and as you say this, turn and run away from the place, not looking back as you go. If you do this, my friend, just as I have told you, I shall live again.",

Mona, after a stare of bewilderment that dies at its birth, gives way to laughter: she is still standing on the chair, and looking down on Nolly, who is adoring her in the calm and perfectly open manner that belongs to him.,

When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good.

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"Is that the girl who spoke to you, Geoffrey, at the tea room door?" asks Mona, with some animation.,

The man who manages the farm generally—and is a plague and a blessing at the same time to his master—appears round a corner, and declares, respectfully, that he will be ready in a "jiffy" to accompany Miss Mona, if she will just give him time to "clane himself up a bit.",

Sir Nicholas again applies himself to the deciphering of the detested letter. "'He would have written before, but saw no good in making a fuss beforehand,'" he reads slowly.,

"And I am to say 'pals' for friends, and call it pure English?"